The Radio Conference A Transnational Forum 2013

I spent one day at The Radio Conference: A Transnational Forum 2013 in Luton this week.  It was really good to see so many old friends and acquaintances.

In the morning I presented my paper as part of a panel that included Dr. Guy Starkey and Nele Heise. It was a well programmed panel because we covered similar ground about technology and radio from different perspectives. Starkey’s paper ‘Analogue yet digital: the paradox of radio’s transition to modern production methods and its reputation as an “old” medium’. He provided a succinct and enjoyably presented history of radio’s development, but his discussion was far more about radio distribution technologies than it was production, and he relied on quite a bit of technological determinism and the idea that radio was a resilient medium because it had survived this history of technological change. He suggested that people still think about radio as an analogue medium. I wasn’t convinced about these central ideas, and my own paper was based upon an attempt to get beyond them. I’m really not sure radio has been the same thing for all its history; I see broadcasting as a social institution, rather than a technological medium; and I’m not sure the ideas of digital and analogue are in any way key concepts in the way most people think about radio. Rather than resilient, I think we need to think about radio as a very adaptable form of institutionalised practice built upon shifting technological and social worlds.

I tried to demonstrate that myself by linking other moments of technological change to today’s shifts in engineering, cultural practice and media ecology. I hoped the title – ‘A new age for radio: understanding radio’s present from radio’s past – conveyed something of that.  You can read a version of the paper by downloading the document, and match it to the presentation slides. If the ideas catch your attention and you’d like to find out more, the wider research is published in a series of articles and book chapters that are starting to come into print:

  •  ‘The political economy of internet music radio’ The Radio Journal 2/1, 27-44, 2004
  • ‘Music, radio and the internet’ in Christina Baade et al Over the Waves: Music in Broadcasting (forthcoming 2013).
  • ‘Duke Ellington, radio remotes, and the mediation of big city nightlife, 1927 to 1933’ Jazz Perspectives 2013
  • ‘Changing cultural co-ordinates: the transistor radio and space / time / identity’ [with Nick Webber] in Oxford Handbook of Mobile Music (forthcoming 2013).
  •  ‘Rock ‘n’ Roll: Cars, Convergence and Culture’ [with Nick Webber] in Chris Hart (Ed) Music and Automobiles (forthcoming 2013)

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Louis MacNeice, Radio Writer and Producer

A one day conference at Corpus Christi College, Oxford on Saturday 19 October 2013 

MacnFollowing on from the welcome revival of interest in recent years in Louis MacNeice as writer and producer for radio, as well as a poet, a one‑day conference will be held at Corpus Christi College, Oxford on Saturday 19 October 2013.

This occasion will mark both the half-century since Louis MacNeice’s death and also the June 2013 publication of an Oxford University Press volume of eleven of MacNeice’s radio scripts, all of which draw on his interest in Greek and Roman history and literature (see here). Speakers include:

Professor Hugh Chignell, Professor of Media History, University of Bournemouth ‘ “The Stones Cry Out” (1941): Louis MacNeice’s Broadcasts to America’

Professor Claire Davison, Chair of Modernist Literature, Université Paris 3 (Sorbonne Nouvelle)

‘ “If only we had Alexander”: Impurifying Propaganda in MacNeice’s Alexander Nevsky (1941)’

Dr Richard Danson Brown, Senior Lecturer in English, The Open University ‘Arabesques of Elizabethan Sound in Features and Poetry: MacNeice’s The Death of Marlowe (1943) and “Suite for Recorders” ‘

Dr Peter McDonald, Christopher Tower Student and Tutor in Poetry, Christ Church, Oxford ‘ “The Solidity of a Dream”: MacNeice, Yeats, and The Dark Tower (1946)’

Dr Peter Golphin, Research Associate, The Open University ‘India at First Sight: Independence and Partition (1948)’

Dr Simon Workman, Lecturer in English, Carlow College, Ireland ‘ “This chain of simple notes”: Louis MacNeice, Radio, Poetry and the Auditory Imagination’

Dr Paul Long, Reader in Media and Cultural History, Birmingham City University
‘Inventing Sound: MacNeice at Work’

Mr John Wyver, Senior Research Fellow, University of Westminster; writer and producer with the media company Illuminations

‘Admom and Everyman: Television in Louis MacNeice’s One for the Grave (1958-­9)’

Louis MacNeice, Radio Writer and ProducerTo book a place at the conference, please email . The conference fee of £20, to cover coffee, lunch and tea, is to be paid in cash on the day. Please direct enquiries to .

Report from IAMCR 2013 Conference, Dublin

Kirsten Forkert and Jerome Turner attended the International Association for Media and Communication Research conference in Dublin, which took place 25-29 June at Dublin City University. The theme was ‘Crises, “Creative Destruction” and the Global Power and Communication Orders’. Kirsten presented her paper Creativity, flexibility and and austerity, while Jerome presented with Creative Citizens colleague Andy Williams on UK community news and the public interest.

The Helix, DCU, Dublin, for IMACR13

This was the first time for both of us attending the IAMCR. It was a very big conference with more than 1,400 delegates and four plenary sessions. We found it very engaging as the plenary speeches raised provocative questions about the current moment. The inclusion of speakers such as Jodi Dean, and John Bellamy Foster—who are not strictly speaking communications scholars—helped set the tone in terms of situating communications research in the context of wider debates about the current phase of capitalism.

Hu Zhengrong

Natalie Fenton and Gavan Titley’s presentation also raised an important question about the purpose of communications research: by equating participation on online platforms with participation in democracy, are we implying that liberalism is the best political philosophy—and in the current neoliberal moment should we be actually directing our energy and skills towards other alternatives?

The conference overall involved some important criticisms of the techno-optimism around social media that we’ve seen over the past few years. For example, some presentations challenged the assumption that social media is inherently progressive or non-hierarchical (such as Eugenia Siapera’s  and Gavan Titley’s presentations on the far right’s use of social media). Jodi Dean’s plenary on communicative capitalism also raised questions about whether we use social media to distract ourselves or whinge rather than work concretely to create change. However, her presentation also tended to create a hierarchy of the street over the internet, when the actual situation might in fact be more complex; the street is not an entirely unmediated space, particularly as mobile media use becomes more common, and there are those who cannot always be in the street (disabled activist group Armchair Army comes to mind). Eugenia Siapera’s application of Lefebvre’s concept of ‘social space’—of space as socially constructed, and including both online and offline space— could be useful here.  Also, it can be tempting to counter naïve-techno-optimism with totalising forms of pessimism that write all social media use off as simply stuffing the pockets of internet giants, disregarding how social media can be a genuinely useful tool within activist practices. Hopefully we’ll see some more nuanced perspectives at future conferences.

Chen-Ling Hung on Taiwanese WATTA citizen journalism project

For those of us who sometimes look to inspiration outside of their usual frame of reference, the programme aided the discovery of some very interesting work. For example, papers in the Audiences theme included work on the analysis of Gangnam Style Youtube parody videos, Japanese vocaloid music and the multi-layered motivations of MMORG players; the Community Communication theme offered studies of the Colombian Misak community’s use of the internet, Interactive failings of Zimbabwean newspapers online, Cypriot student self-reflection through oral history, Brazilian religious pirate radio and Italian political yarnbombing; the Journalism Research and Education strand included a study of audience participation in alternative journalism via fan theory, and a number of papers on use of Twitter in journalism.

Plenary 1 at IAMCR13

The conference happened in the aftermath of the Edward Snowden leak and the revelations about GCHQ spying so questions of privacy and the use of meta-data were at the back of our minds, as well as more general questions about the role of giant internet corporations and the state. This was discussed in Annabelle Sreberny’s and the launch Beyond WikiLeaks: Implications for the Future of Communications, Journalism and Society by Benedetta Brevini, Arne Hintz and Patrick McCurdy. Differences between Google and Twitter’s approaches to privacy were discussed, as well as the problems of applying Eurocentric perspectives to social media use, especially when studying regions such as Egypt.

Annabelle Sreberny

One common criticism of the conference was that the programme was very difficult to navigate as sessions were organised by theme rather than by time slot, with no overview of panels and room numbers at particular time slots.  With thirty themes to choose from, unless you were very certain of only being interested in one specific focus, this required flicking through the entire catalogue for each time slot.

Another issue was that some of the presentations seemed to be trying to cover an entire research project or PhD thesis in 15 minutes, and followed a rigid format of literature review-methodology-findings—which meant it was difficult at times to understand what the argument was, and also meant there was little space for analysis, theorisation or even reflection on research findings. This raises questions about why people feel pressured to follow these sorts of rigid conventions in presenting their work, and, given the issues, an inverted format might be more effective, starting with findings and details of the study, and foregrounding the argument.

Some of the sessions involved reflections on the associations and future conferences. IAMCR is an international association, with delegates from all over the world. However, there were fewer delegates from the global South than there could have been. The high cost of conference fees, travel costs from regions outside of Europe and the lack of translation services for non-English presentations were all raised as issues. The casualisation of academia also came up, in terms of the difficulty for people to afford conference fees and the future survival of academic organisations such as IAMCR. The uses of Skype and other platforms was suggested as one possible response, as was actually employed in the opening plenary session this year; hopefully these important issues will be engaged with by the association. The 2014 IAMCR conference will take place in Hyderabad, India. It will be interesting to see how these debates will continue there.

Further details of other sessions attended by Jerome can  be found here  and on ). In fact Twitter became a very useful way to follow proceedings, with not only the main  tag in use, but tags for each section, e.g. for Community Communication. Some successful tweeting on our part even .

This is a co-written report by Interactive Cultures members Kirsten Forkert and Jerome Turner. 

Research Seminar – July

BCMCR Session Flyer July Click for full PDF

-Wednesday 03/07/13
2pm – Speaker: Prof Tony Whyton
Salford Music Research Centre
Title: ‘Song of Praise: Musicians, Myths and the “Cult” of John Coltrane’

Studies of popular music and fandom have grown into a sophisticated field of enquiry over recent years. Fan communities and interests are widespread, and several popular music scholars have been at pains to stress the need to resist depictions of fans as cultural “others” and to engage instead with fandom as part of everyday life.
Today, studies of music fandom are multidimensional but also contested in many ways, as the nature of fan debates
challenges established notions of objectivity, cultural value and authority, as well as ongoing attitudes to modernity and the role of the mass media. When considering the debates that have emerged in popular music research about fan cultures over recent years, several interesting and subtle differences occur when applying insights on fandom to jazz discourse, especially when examining the reverence of an iconic artist such as John Coltrane. Coltrane is arguably the most revered icon in jazz history, inspiring an obsessive following of writers, record collectors and enthusiasts. Taking up the challenge of dispelling the mythology of fans as imagined “others” and exploring ways in which fandom permeates a range of personal and professional contexts, I examine the dis- course of musicians as fans in jazz.

-3pm – Speaker: Prof Tim Wall Birmingham City University
Title: Rethinking ‘British popular music’ through the work of Steven Feld

In this paper I’ll be using the idea of cosmopolitanism
developed by anthropologist Steven Feld and deploying it as a way to open up our thinking about American-derived popular music in Europe. I’ll sneak in some examples from jazz, but I will argue that the point holds more widely for other forms of British music as well.

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Communities in the Digital Age symposium

Last week Dave Harte and myself presented at the Communities in the Digital Age symposium at Canterbury Christchurch University. We disseminated ongoing findings from the case study work we’re undertaking into hyperlocal publishing as part of the Media, Community and the Creative Citizen project. As a relatively new researcher, I was glad that we managed to keep to time on our presentation and there was some interesting discussion around our work, especially given that our panel consisted of other complimentary research, e.g. Renee Barnes’ case study of US hyperlocal www.baristanet.com. I could go on to describe the rest of the day, but Prof. David McGillivray did a better job  – my observations are more personal.

The keynote from Dr Helen Thornham went some way to present discussions of the idea of “community” and digital’s often fantasised potential to address it. This provided a good grounding for a day which otherwise presented many case studies, examples and approaches, without being overly theoretical.

The event also made me realise that my own personal research towards my PhD is possibly more centred around the study of community than I realised, as opposed to a study of journalism. This helpfully creates a whole new section of reading for me to be focussing on, and much of this was provided by citations from the presentations of the day, which I believe may be shared publicly. In all, this was a very inspiring event, providing food for thought in terms of research methods (e.g. participatory, co-creation), and a focus on UK cases. A publication may follow – I’ll look forward to it.

 

 

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Research Seminar Series – June – Part 2

BCMCR Session Flyer June2IMG

Click for full PDF

- Wednesday 19/06/13
2:00-3:00pm
Speaker: Matt Grimes: Birmingham City University Title: Punk ‘zines – ‘symbols of defiance’ from the print to the digital age

What role do specialised publications play in the consumer’s experience of sub-cultures, music and the shaping of its meanings?

Drawing on ideas from authors such as Teal Triggs (1995 & 2006), Chris Atton (2001) Marion Leonard (2007), this presentation explores the development of punk fanzines from the late 1970s to the present, exploring the role of these music fan-produced publications in giving meaning to the experience of a music community.

3:00-4:00pm

Speaker: Siobhan Stevenson: Birmingham City University

Siobhan will be presenting research from her PhD studies to date about Community Radio.

Birmingham City University City
North Campus
Rm 210 Baker Building
Perry Barr
B42 2SU

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Research Seminar Series – June – Part 1

BCMCR Session Flyer June Click for full PDF

Wednesday 05/06/13 2:00-3:00pm
Speaker: Dr Paul Reilly: University of Leicester Title: Social media, sousveillance and civil unrest in the United Kingdom

This paper focuses on the use of social media sites such as Facebook and Youtube to provide alternative perspectives on civil disturbances. It does so by reviewing the relevant literature on the use of social media for sousveillance (often referred to as ‘inverse surveillance’) and presenting the findings of a critical thematic analysis of 1018 comments posted in response to Youtube footage of the disturbances in the Stokes Croft area of Bristol in April 2011. In this way, it will explore whether the use of social media for sousveillance has the potential to elicit support for groups whose narratives do not always feature in mainstream media coverage of civil disturbances.

Wednesday 05/06/13 3:00-4:00pm
Speaker: Jennifer Jones & David McGillivray: University of the West of Scotland Title: Citizen Media: Translating Theory to Practice

This paper focuses on the use of citizen and community journalism as a means of opening up channels of debate and discussion and offering new spaces for critique around major sporting and cultural events. The paper draws on a case study of a participatory arts and media project #citizenrelay (www.citizenrelay.net), which formed a strong community of local reporters and utilised everyday digital tools and techniques to cover the arrival of the Olympic Torch Relay in Scotland in the summer of 2012.

 

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DAVE HASLAM: SEARCHING FOR THE YOUNG PUNK REBELS

Dave Haslam Searching For Young Punk Rebels (07 Jun 13)
Click for full PDF

The city that gave birth to the Prefects, Spizz, Steel Pulse, the Au Pairs, and Dexy’s has tended to be overlooked in most received histories of the era.

Vivid Projects and Birmingham Centre for Media and Cultural Research (BCU) welcome Moseley-born music historian and legendary Hacienda DJ Dave Haslam on Friday 07 June, 7.30pm for a talk exploring and celebrating music activity in Birmingham from 1976 to 1982, drawing on interviews with Lesley Woods, Kevin Rowland, and Duran Duran’s John Taylor among others.

The talk will be followed by an in conversation with Jez Collins, founder of the Birmingham Popular Music archive, and discussion with the audience on collective and personal memories of Kahn & Bell, Barbarellas, Fashion, Ranking Roger and who knows what else from a very creative era in the city’s cultural history.

EVENT DETAILS

DATE/ TIME – FRI 07 JUN, 7.30PM (doors open 7.15PM)
ADMISSION – Capacity limited. Tickets £5.95 (incl booking fee) in advance/ £7 on the door Advance tickets available here: http://vividprojects.eventbrite.co.uk
VENUE – Vivid Projects, 16 Minerva Works, 158 Fazeley Street, Digbeth, Birmingham, B5 5RS
EVENT – Legendary Hacienda DJ Dave Haslam presents Searching For the Young Punk Rebels, a talk exploring and celebrating music activity in Birmingham from 1976 to 1982. Haslam will be joined by Jez Collins, founder of the Birmingham Popular Music Archive for an in conversation following the talk.

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Radio Students Award Recognition

Charles Parker

Charles Parker

Course work by students at the Birmingham School of Media have been recognised in two major radio awards.

Third year student Jim Kerwood received a commendation from judges of the Charles Parker Prize for outstanding radio documentary production. Jim’s documentary about “Panthers in Hereford” was broadcast on BBC Hereford & Worcester and was recently included in a BBC Radio 4 feature about the awards.

Dan Collins, a student on the Foundation Degree in Radio Production, has been nominated in the Documentary finalist category of the New York Radio Awards.

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Research Seminars – May

Wednesday 1/05/13
2:00-3:00pm 2pm – Speaker: Sam Coley - BCU
Title: David Bowie on the radio

Wednesday 1/05/13 3:00-4:00pm
3pm – Speaker: Oliver Carter Title: Short term pain for long term gain”: A pragmatic approach to completing a PhD while working full time.

Research Seminar - May-Img

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Wednesday 15/05/13 2:00-4.00pm
2pm – Speaker: Dr John Mercer - BCU Title: Acting and Behaving Like a Man: Rock
Hudson’s Performance Style

3pm – Speaker: Annette Naudin - BCU Title: An exploration of personal agency in
cultural entrepreneurs

Research Seminar - May- 2-Img

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