Category Archives: Public Event

Jazz and the Media II

Posted on by Simon Barber
Reply

Harmonic

Friday 30th September (1pm – 4pm)
Birmingham MAC, Foyle studio

After last year’s inaugural Jazz and the Media conference, Birmingham City University have teamed up with Harmonic to deliver the second instalment. This year’s focus will be social media and how it can be best used to promote jazz and develop new audiences, as well as how jazz collectives are using these tools. Hosted by Tim Wall with guest speakers including Sebastian Scotney (London Jazz), Andrew Dubber and the festival directors themselves.

Continue reading →

Collecting and Curating Popular Music Histories Symposium

Posted on by
Reply

Interactive Cultures researcher Rob Horrocks is speaking at a round table discussion on the benefits and issues with the digital turn in popular music and museums at this event at the British Library next week.
Rob worked on the 40 Years of Heavy Metal and its Unique Birth Place exhibition at Birmingham Museum and Art Gallery as part of his reseach on popluar music heritage practice. The exhibition opened on 18th June.

SITES OF POPULAR MUSIC HERITAGE – SYMPOSIUM
 CFP

Posted on by
Reply

Venue: Institute of Popular Music, University of Liverpool

Date: 8–9 September 2011
We invite proposals from a broad range of academic disciplines for a 2 day symposium examining sites of popular music heritage: from institutions such as museums, to geographic locations, websites and online archives. Papers are welcomed that explore popular music within narratives of heritage and identity, real and imagined geographies, cultural memory and contested histories.

 

The event will focus on three thematic areas:

Popular Music Heritage in the Museum

In recent years museums have increasingly engaged with popular music heritage, as evidenced in a proliferation of exhibitions including those in the UK such as Kylie: The Exhibition at the V&A and the British Music Experience at the O2. Museum interaction with popular music heritage enables methods of narration beyond traditional written histories, engaging visitors with objects, sounds and images. The place of popular music in the museum raises issues of how music is both represented and used to represent and explore social histories, personal and collective identities, memories, and geographies. Possible themes for papers include:

  • Popular music and locality in the museum
  • Disseminating popular music heritage in museums beyond text
  • History and memory in popular music exhibitions and collections

 

Continue reading →

Rare Records and Raucous Nights: Investigating Northern Soul

Posted on by
Reply

Professor Tim Wall is speaking at this Symposium hosted by The University of Salford next month.

Rare Records and Raucous Nights: Investigating Northern Soul
Robert Powell Theatre, 4 November, 2010; 1-5 P.M.

A spirited examination of dance culture, record collecting, and the perpetual British love for American Rhythm & Blues

Programme

1:00 Tim Wall, Birmingham City University

“Northern Soul: There’s Nothing Northern About It (And While We’re At It, It Isn’t Soul and the Dancers Aren’t Break Dancers”)

1:30 Nicola Smith, University of Wales Institute Cardiff

“Dancing Alone, Together: Pleasure, Competency and Competition On The Northern Soul Dancefloor”

2:00 Screening “The Wigan Casino” (Tony Palmer, 1977)
Continue reading →

Music, Heritage and Cities at Un-Convention

Posted on by
Reply

Members of the Interactive Cultures research group attended/took part in a panel at the recent Un-Convention event in Salford writes Paul Long.

Jez Collins, the originator of the Birmingham Popular Music Archive chaired a panel consisting of: Dr Marion Leonard, who was the curator of Liverpool’s The Beat Goes On, and who oversees on ongoing project to examine how museums collect and preserve (or not) popular music; Alison Surtees of the Manchester District Music Archive; Eve Wood, the director of the documentary (2001) and Mike Darby of Bristol Archive Records.

Speakers offered insights into each of their projects, revealing the variety of practices in this field, the public appetite for music heritage and the innovations and connections that curation has been making. Surtees for instance outlined how the online MDMA had generated input from around 2000 individuals, half of which regularly posted material on the site. Some of these were members of the bands featured and indeed, these explorations of music past also connected with the present scene in ways that avoided the potential necrophilia of such work.

Continue reading →

Call for Papers – Home of Metal

Posted on by
Reply

 

CALL FOR PAPERS

Home of Metal: Heavy Metal and Place
Capsule and the University of Wolverhampton

Location: University of Wolverhampton

Date: 1st – 4th September 2011

Key note speakers:
Prof. Scott Wilson, Kingston University (TBC)
Prof. Deena Weinstein, DePaul University (TBC)

The Heavy Metal movement is littered with accounts of its birth, not
only concerning the origins of the sound, but also the geographical and
political locations from which the music evolved. The now global
phenomenon of Heavy Metal culture has seen much change in the sounds,
styles and fashions over its 40 years of history, but is simultaneously
acutely aware of its origins in Birmingham and The Black Country (UK).

This conference on Metal and place aims to explore and evaluate the
important role that location, heritage and place have in the origins of
Heavy Metal and music in general. It will serve to engage in debate
concerning values, histories and myths in the foundation of this
movement and looking at the wider role of archiving music histories and
current practice surrounding this.

Home of Metal aims to celebrate the musical heritage of Birmingham and
The Black Country. This conference forms part of the “Home of Metal”
exhibitions and festival taking place across Birmingham and The Black
Country in the UK throughout 2011.

Continue reading →

Research presentation: Pete Wilby

Posted on by
Reply

Pete Wilby discusses the problem of being a fan/participant observer. From the Centre for Media and Cultural Research weekly research seminar.

Call for Papers – UB40 Symposium.

Posted on by
1

Venue: Birmingham City University, UK.

Friday 18th March 2011.

Organizers: Birmingham Centre for Media and Cultural Research in association with Birmingham Popular Music Archive.

This year, the Birmingham-based band UB40 celebrates the 30th anniversary of the release of the album ‘Signing Off’.
The band gained its name from an unemployment benefit form and achieved fame and notoriety in the ‘post-punk’ era. Known for a dedication to popularizing the sounds of reggae music the band has maintained a commitment to political issues through its music as well as cultural and social action.

Over 30 years the band has sold over 100 million albums and continues to tour extensively around the world. While the band’s star has waxed and waned in critical favour at home in the UK, it maintains a global fan base, which is particularly strong in the Third World.

This symposium seeks to bring together researchers with an interest in the band in order to consider its place in various scholarly contexts.
Continue reading →

Jazz and the Media

Posted on by Simon Barber
1
The Birmingham Centre for Media and Cultural Research, in partnership with Birmingham Conservatoire and Birmingham Jazz, is proud to present Jazz and the Media, a seminar featuring presentations from three internationally recognized authorities on jazz.
Continue reading →

Invitation: Home, Identity and Citizenship – The Films of Philip Donnellan.

Posted on by
Reply

You are invited to attend a screening of ‘Philip Donnellan’s The Colony’ (1964) followed by a discussion of an ongoing project to explore and promote the resources of the Philip Donnellan Archive.

6-8pm

Wednesday 30th June 2010

Birmingham Library Theatre

The Colony, originally made as an innovative TV documentary, explores the experience of members of the Caribbean migrant community in Birmingham and the Midlands. The film allows its subjects space to candidly evaluate their reception in the UK and their relationships with home and other migrant workers. Controversial at the time of its original broadcast the film is an enduring and powerful document of a key moment in post-war British history.
Continue reading →