Edition Records: New Media Approaches to Jazz Marketing

The AHRC’s Cultural Engagement Fund is a pilot scheme designed to strengthen and develop a university’s broader strategy for supporting the engagement of its arts and humanities academic staff with local creative sector SMEs. As a result of a call for applications, forty-five universities are now supporting recently completed PhD students in the arts and humanities to undertake three-month projects. The projects not only support valuable collaboration between universities and cultural organisations, but also provide the early career researchers with opportunities to develop a wide range of skills, particularly in relation to supporting the wider impact of arts and humanities research.

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Digital transformations: workshop report

Digital Transformations is “a research network exploring digital transformations in the creative relationships between cultural and media organisations and their users”.

I attended their first workshop last week, alongside BCMCR colleague Paul Long. Paul was there hoping to discuss notions of expertise with other researchers and scholars, and also to engage in some ideas to inform the Culture Cloud project. I was there primarily because I’ve taken up a brief in BCMCR to develop knowledge transfer work, and “exploring digital transformations in the creative relationships between cultural and media organisations and their users” speaks quite clearly to that.

The day was structured around some presentations in plenary – some case studies, some think pieces – followed by break out discussions that followed an unconference like format (reflecting the overarching theme of the day about organising activities from the user upwards).

In the end the day for me was actually more interesting in terms of research work, rather than knowledge transfer, and I spoke more about some of the activity happening within hyperlocal media than I did about KT. Not what I expected, but not unwelcome.

Following on from the last breakout session, where I was note taking for the group, I’ve contributed a guest post on lurking as participation to the network – read the post here.

The network has a number of events over the coming months which may be of interest:

20 April 2012: Business models, rights and ownership workshop, at British Library, London
15 May 2012: Design workshop, at Tate Britain, London
21 June 2012: Learning workshop, at UCL, London

To book head to www.digitaltransformations.org.uk

The value of SxSWi

In her post yesterday, Elizabeth described her trip to SxSWi as part of an official (funded) Birmingham delegation to the annual technology festival. She describes something of the process of getting to Austin and her experience as part of the community that made up that trade delegation. That’s a theme at the heart of a recent article I co-authored with Jennifer Jones, a visiting lecturer here at Birmingham School of Media and a researcher in UWS’s Creative Futures centre.

The article, The imaginary SxSWi, seeks to interrogate the way in which sponsoring trips to SxSWi can be justified; often attendance is positioned as proxy attendance for others but, with so much content from the festival being available online, what knowledge can be transferred only through proxy attendance?

The article is very much intended as, in the words of the hosting journal’s editors, “a ‘think’ piece, designed to spur discussion amongst scholars and audiences”. If you have any thoughts on this please do head over to FlowTV and leave a comment.

Read the article here

 

Acquiring Rights and Righting Wrongs: The Copyright Clearance of Northern Soul

Ady Croasdell
Rare Records and Raucous Nights: Investigating Northern Soul symposium, University of Salford, 4 November, 2010

Ady Croasdell went to this first “Old Soul” all nighter in 1969 and now bosses the longest running Northern Soul club/all nighter of all time (31 years and counting) at the 100 Club in London’s Oxford Street. He has worked for Ace Records since 1982 compiling Northern Soul LPs and CDs for their Kent subsidiary. He oversees the production of these from concept to product and actively seeks and negotiates deals with the US owners.

Paper on Advantage West Midlands’ Digital Media Cluster

awm

During the summer the Business Cluster Opportunity Group that represents the Digital Media industry in the West Midlands asked me to produce a kind of positioning paper whilst the discussions were ongoing about the formation of Local Economic Partnerships (LEP).

The group was formed in 2003 so the paper is kind of saying: ‘don’t dump that knowledge, it might be useful’. It’s probably not a group that too many people have a wider awareness of in the West Midlands but it actually did a lot of the strategic positioning work around placing ‘digital’ as a key focus in the region’s economic strategy.

The paper draws on a range of secondary research and from a short survey sent to representatives of the cluster. The finished paper was sent directly to those writing LEP proposals in the West Midlands region but we thought it worth a wider dissemination also.

You might also wish to take a look at the article I wrote on this cluster for the Creative Industries Journal.

An excerpt from the executive summary:

“In the current climate where business support policy is being reshaped and support mechanisms rethought, this paper strongly makes the case for those groups forming new partnerships to draw on the existing expertise of the West Midlands Digital Media Cluster Opportunity Group”

Digital Media Sector Cluster Paper 2010 Final


Paper in full
(PDF).

Music, Heritage and Cities at Un-Convention

Members of the Interactive Cultures research group attended/took part in a panel at the recent Un-Convention event in Salford writes Paul Long.

Jez Collins, the originator of the Birmingham Popular Music Archive chaired a panel consisting of: Dr Marion Leonard, who was the curator of Liverpool’s The Beat Goes On, and who oversees on ongoing project to examine how museums collect and preserve (or not) popular music; Alison Surtees of the Manchester District Music Archive; Eve Wood, the director of the documentary (2001) and Mike Darby of Bristol Archive Records.

Speakers offered insights into each of their projects, revealing the variety of practices in this field, the public appetite for music heritage and the innovations and connections that curation has been making. Surtees for instance outlined how the online MDMA had generated input from around 2000 individuals, half of which regularly posted material on the site. Some of these were members of the bands featured and indeed, these explorations of music past also connected with the present scene in ways that avoided the potential necrophilia of such work.

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The Future of Cultural Work

Conference report from Annette Naudin.

The recent conference at the Open University, The Future of Cultural Work inspired much debate and discussion amongst delegates and touched on many pertinent issues for my PhD research into cultural entrepreneurship and education policy. With many strands including capitalism and work, precarious labour, working in television and inclusion & exclusion, it offered a variety of perspectives and provocations in relation to cultural work and cultural labour. Not only were the themes appropriate to my research, but many key academics on the subject presented and attended the conference – I must admit to being a little start-struck! Continue reading

Made in Birmingham – music documentary

A new one hour film about Birmingham’s music heritage called Made In Birmingham: Reggae, Punk, Bhangra received a private invitation only premiere recently.

Introduction to Jez’s premiere from Andrew Dubber on Vimeo.

In the video above, Jez Collins of interactive cultures explains the purpose and the genesis of the film, and how it connects with the Birmingham Music Archive.

Birmingham Centre for Media and Cultural Research hosts event with West Midlands Region

The first West Midlands Cultural Research & Intelligence Network (CRAIN) conference takes place on Wednesday 2nd June 2010, 9:30-13:30, at Birmingham City University’s Margaret Street venue in central Birmingham.

The event, Chaired by Tim Challans (former co-ordinator for the West Midlands Culture & Sport Improvement Network), will highlight the latest research and intelligence relating to culture, sport and tourism and review the implications for the West Midlands: a region striving to assert itself as a national and international visitor destination and a leader in the digital agenda. The intention is for the event to dynamic and interactive, providing plenty of opportunity for delegates to dictate discussions.

Full details of the conference programme, speaker biographies and venue information are on the West Midlands Cultural Observatory website

The conference is being organised by the West Midlands Cultural Observatory, in association with Birmingham City University, the West Midlands Cultural Research & Intelligence Group and West Midlands Regional Observatory.