Birmingham Centre for Media and Cultural Research hosts event with West Midlands Region

The first West Midlands Cultural Research & Intelligence Network (CRAIN) conference takes place on Wednesday 2nd June 2010, 9:30-13:30, at Birmingham City University’s Margaret Street venue in central Birmingham.

The event, Chaired by Tim Challans (former co-ordinator for the West Midlands Culture & Sport Improvement Network), will highlight the latest research and intelligence relating to culture, sport and tourism and review the implications for the West Midlands: a region striving to assert itself as a national and international visitor destination and a leader in the digital agenda. The intention is for the event to dynamic and interactive, providing plenty of opportunity for delegates to dictate discussions.

Full details of the conference programme, speaker biographies and venue information are on the West Midlands Cultural Observatory website

The conference is being organised by the West Midlands Cultural Observatory, in association with Birmingham City University, the West Midlands Cultural Research & Intelligence Group and West Midlands Regional Observatory.

The Cine-Excess of Dario Argento’s Suspiria

Our Wednesday research seminar this week was a presentation by Xavier Mendik of Brunel University. Xavier introduced a screening of the documentary Fear at 400 Degrees: The Cine-Excess of Dario Argento’s Suspiria.

Xavier was invited to our regular research seminar to talk about the strategies he has developed for knowledge transfer work around the Cult Film Archive and Cine-Excess, the company he has formed to restore and reissue significant cult films. The release includes DVD extras that are designed as educational and knowledge transfer devices. The formula is working well with interest in the film and its academic based extras leading to significant interest from relevant media and sales reaching audiences beyond the academy.

Dario Argento’s Suspiria (1977) classic cult Italian horror – a masterpiece of the modern macabre that uses excessive visual styles and even more excessive on-screen murders to create new pathways between art-house and atrocity. The documentary featured enough footage from the original to cause one member of the audience to “step outside for a breath of fresh air”.

Research group member, and chair of this week’s session, Oliver Carter commented: “I have followed Xavier’s work closely since the late 1990s and it was a pleasure to welcome him to this week’s session.  Xavier’s work with Nouveaux Pictures and the Cine Excess label  demonstrates the variety of possibilities knowledge transfer presents.  We are thankful for him taking time to come to the Birmingham School of Media and look forward to sharing our approaches to knowledge with him in the future.”

Mavericks: Jazz Photography by William Ellis

William Ellis is a photographer who first worked with the Interactive Cultures team at the Scarborough Jazz festival during September 2009. William was exhibiting some of his photographs at the event and began to collaborate with our team of academics who were conducting a research project, experimenting with narrative by putting the festival online as it happened. William captured the essence of what it was like to be at the festival and contributed a steady flow of images to the ‘Just Like Jazz‘ website, often within moments of shooting them. The project was a considerable success, not least because of William’s contribution.

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Interactive Cultures at Scarborough Jazz Festival

What is it?
‘Just Like Jazz’ is a collaborative project between <a href=”http://interactivecultures.org” alt=”Interactive Cultures”>Interactive Cultures</a>, a research unit at
<a href=”http://mediacourses.com” alt=”BCU School of Media”>Birmingham City University</a>, and the <a href=”http://scarboroughjazzfestival.co.uk” alt=”Scarborough Jazz Festival”>Scarborough Jazz Festival</a>. Part of our academic interests include jazz and so we’re working with the Scarborough Jazz Festival to explore the ways in which jazz festivals can be portrayed online.
Why is it different?
Rather than creating a brochure website around the festival, or simply filming the festival and putting that online, our goal is to capture the spirit of the festival using a range of techniques such as photography, text and handheld, personal digital video. We have given small, cheap, portable video cameras to select audience members, musicians, backstage staff and the festival organisers and asked them to capture whatever they think is interesting: the buzz of the audience, the surrounding environment, snippets of the music performed, and any discussions that take place around jazz.
PROMO VIDEO OF ANDREW: Watch members of the Interactive Cultures team describe the aims of the Scarborough Jazz project.
What are we going to do?
We’re gathering together all of this video, photography and text from our contributors and publishing it live on a website as the festival happens. We’re also tagging the content in order to experiment with the ways in which the characters and stories that are captured can be navigated by visitors to the website. This process gives audiences the opportunity to experience the festival in their own way and makes the event accessible to those who may wish to attend the festival in future years, or who may never have considered visiting a jazz festival at all.
MORE VIDEO OF Tim
Although we’ve worked on projects like this before, with <a href=”http://aftershockproject.com/shock/genoa” alt=”Aftershock”>Aftershock</a> in Italy and with the <a href=”http://www.andrewdubber.com/2009/07/thursday-afternoon-in-copenhagen” alt=”Copenhagen Jazz”>Copenhagen Jazz Festival</a>, we don’t have a fixed idea of what we’re going to end up with. We’re working with a loose structure and quite a lot of improvisation – in a way, it’s just like jazz.
Follow us
Please bookmark http://justlikejazz.org and follow along with the experiment as it happens live online between September 18-20. The website will also remain online in the future, so check back to discover our thoughts on what came out of the process.
We hope you enjoy exploring the festival online with us,
Tim, Andrew, Simon and Jez.

What is it?

Just Like Jazz‘ is a collaborative project between the Interactive Cultures research unit at Birmingham City University, and the Scarborough Jazz Festival. The team comprises Professor Tim Wall, Andrew Dubber, Dr Simon Barber and Jez Collins. Part of our academic interests include jazz and so we’re working with the Scarborough Jazz Festival to explore the ways in which jazz festivals can be portrayed online.

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Moseley Barcamp: The Cross

Moseley Barcamp was held at The Cross in Moseley on Sunday the 28th of July and was a free-ranging forum for those involved in Birmingham’s social media / internet “scene”. Speakers included Pete Ashton, Nick Booth, Chris Unitt and Michael Grimes to name but a few… The room contained a fair smattering of the “Brumtwitter mafia” who debated, and I imagine “tweeted”, passionately about all things “web” in Birmingham.

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RESCON09

On 22nd June 2009 at our Perry Barr City North campus in Birmingham, the Interactive Cultures team attended RESCON09, the first of what looks to be an annual research conference at Birmingham City University. The event may sound like a highly futuristic, evil corporation, but it’s really just an abbreviation of ‘Research Conference’.

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A Digital Britain for a Digital Birmingham

On Tuesday 16th June the Government published the Digital Britain report. The report outlines the direction of policy in several areas of digital media from infrastructure to digital literacy. On the following day Birmingham held the first in a series of regional debates on the report. The event was organised by Digital Birmingham, part of Birmingham City Council, and featured a keynote address by Lord Stephen Carter who oversaw the writing of the report. Parallel to this “official” event, a 2nd Digital Britain Unconference was held at Fazeley Studios. Lord Carter also attended this event where he spent some time taking questions from the floor.

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Un-Convention Salford 2009

Music as Culture
Nick Webber, Jez Collins, Andrew Dubber, talk music as culture at Un-Convention Salford

We recently attended Un-Convention Salford 2009. Organised by AHRC KTF partner Fat Northener, Un-convention is a not for profit grassroots led music conference for DIY and Independent music makers and companies. Born in 2008 as an alternative to Manchester’s mainstream In The City event, it has already inspired Un-Conventions in Belfast and Swansea and future events in Glasgow, London, Barcelona and Reykjavík. This year’s UK national event in Salford featured a range of key musicians, bands and industry personnel.

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My Dad’s on Twitter (#mdot)

The finished wall... maybe

Last night I spoke at “My Dad’s on Twitter but he doesn’t know why” – part of Fazeley Digital ’09. Part lecture, part performance, the idea was to mind map some current thinking about Twitter by writing on a wall in an empty studio space. I’ve written a blog post about the process of the event on the new MA Social Media blog but wanted to also reflect on some of the content here on the IC blog.

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Martin Atkins: “Momentum is King!”

On a warm Sunday in late May, Martin Atkins brought his “Tour:Smart” presentation to the Hare and Hounds in King Heath. For those who missed our earlier blog post, Atkins is a musical entrepreneur with a packed C.V. that includes; drummer/producer/author/label-owner/presenter/lecturer/publisher/filmmaker – and self confessed “crap” DJ…

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