Call for Papers – Home of Metal

 

CALL FOR PAPERS

Home of Metal: Heavy Metal and Place
Capsule and the University of Wolverhampton

Location: University of Wolverhampton

Date: 1st – 4th September 2011

Key note speakers:
Prof. Scott Wilson, Kingston University (TBC)
Prof. Deena Weinstein, DePaul University (TBC)

The Heavy Metal movement is littered with accounts of its birth, not
only concerning the origins of the sound, but also the geographical and
political locations from which the music evolved. The now global
phenomenon of Heavy Metal culture has seen much change in the sounds,
styles and fashions over its 40 years of history, but is simultaneously
acutely aware of its origins in Birmingham and The Black Country (UK).

This conference on Metal and place aims to explore and evaluate the
important role that location, heritage and place have in the origins of
Heavy Metal and music in general. It will serve to engage in debate
concerning values, histories and myths in the foundation of this
movement and looking at the wider role of archiving music histories and
current practice surrounding this.

Home of Metal aims to celebrate the musical heritage of Birmingham and
The Black Country. This conference forms part of the “Home of Metal”
exhibitions and festival taking place across Birmingham and The Black
Country in the UK throughout 2011.

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Media Education Summit 2010

Last week was a busy week, event-wise, what with the digital publishing seminar, the Pecha Kucha night, and the zine festival. In the middle of all that, several colleagues from the centre attended and presented at the CEMP Media Education Summit.

Students, scholarship, and our KT work

Oliver Carter gave a presentation, on behalf of himself and Faye Davies, entitled Student to scholar: developing vital academic skills on the journey from FE through HE. This paper discusses how, in the School of Media, we start instilling academic research skills from day one of year one. As part of our approach students are now engaged in producing and publishing support materials for our course textbook. The support website is part of a further project managed by Dr. Simon Barber and hosted at Interactive Cultures where we’re trying to rethink what a text book support website should actually do. It’s a nice case study in what we do here, as you can see the clear link between research, knowledge transfer, and teaching and learning, and it all links thematically back to our growing interest in digital publishing.

Web 2.0 in media education

Dave Kane and I gave a paper titled Student led design of Web 2.0 learning and teaching practices in media education. This paper builds upon our previous research into the uses of web 2.0 technologies within teaching and learning. As with our previous work, our hypothesis is that there is often a rush to adopt new technologies, primarily because of their ‘newness’, rather than as a result of a considered analysis of how they assist in the learning and teaching process or with little consideration as to what a learning culture wants to achieve through the use of technology. We looked at a small case study (interviews with students on the MA Social Media at BCU) to understand some of the issues at play in designing e-learning support materials. The work has prompted a number of new directions which we are actively exploring and we look forward to sharing more of this work in the future.

Call for Papers – UB40 Symposium.

Venue: Birmingham City University, UK.

Friday 18th March 2011.

Organizers: Birmingham Centre for Media and Cultural Research in association with Birmingham Popular Music Archive.

This year, the Birmingham-based band UB40 celebrates the 30th anniversary of the release of the album ‘Signing Off’.
The band gained its name from an unemployment benefit form and achieved fame and notoriety in the ‘post-punk’ era. Known for a dedication to popularizing the sounds of reggae music the band has maintained a commitment to political issues through its music as well as cultural and social action.

Over 30 years the band has sold over 100 million albums and continues to tour extensively around the world. While the band’s star has waxed and waned in critical favour at home in the UK, it maintains a global fan base, which is particularly strong in the Third World.

This symposium seeks to bring together researchers with an interest in the band in order to consider its place in various scholarly contexts.
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Digital Academic Publishing event report

Representatives of Sage, Palgrave, Berg, Humanities eBooks, Intellect, Adam Matthew Digital, JURN and several University publishing houses joined academics from the Birmingham Centre for Media and Culture Research on Monday 6th September at a conference to discuss the field of Digital Academic Publishing.

The Keynote speech by Masoud Yazdani of Intellect Books is available on the audio player below.

Masoud Yazdani- Digital Academic Publishing by Interactive Cultures

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Digital Academic Publishing – researching the field

Editors and publishers conference

Monday 6th September 2010

Digital development and Application; Content and Creativity

The publishing industry is currently undergoing major challenges: digitisation: is changing the material form of the industry’s key artefacts; the internet is transforming the potential ways in which publications can be distributed and the expectations of their consumers; and these two lead to profound implications for the business models of companies in the industry. Through this event we hope to bring together individuals and organisations involved in academic publishing to identify the issues and set out a way forward. We will present research we have undertaken into the perceptions of publishers, and identity models for the future which have been developed in both publication and our own work with the music business.

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Symposium report: Popular music fandom

On Friday 25th June Matt Grimes attended a one-day symposium on Popular Music Fandom.  Here is a full report from his blog.

Popular music fandom: a one day symposium, took place at the University of Chester and was organised by Mark Duffettfrom the School of Media at Chester. As I will be conducting some research around fans as part of my PhD research I thought it would be useful to attend.

 

The keynote presentation was from Matt Hills from Cardiff University who is one of the UK’s key thinkers in Fan Culture and Fan studies. I had worked with Matt in the past as part of a research team that conducted some research about audience/fan online interaction with the BBC Radio websites as part of a Knowledge Transfer Project. Matt’s presentation was around considering new ways of looking at and researching fan culture based on three ideas of post-popular music, mnemic communities and intermediary fandoms. What I particularly liked was the area of mnemic communities drawing on the work of Bollas (1993) and how music has personal and/or community memory stored within it. He also touched on the idea of whether those memories are imagined and /or a community narrative. I thought this would be very useful to my research as my object of study centres around cultural/popular memory.
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Invitation: Home, Identity and Citizenship – The Films of Philip Donnellan.

You are invited to attend a screening of ‘Philip Donnellan’s The Colony’ (1964) followed by a discussion of an ongoing project to explore and promote the resources of the Philip Donnellan Archive.

6-8pm

Wednesday 30th June 2010

Birmingham Library Theatre

The Colony, originally made as an innovative TV documentary, explores the experience of members of the Caribbean migrant community in Birmingham and the Midlands. The film allows its subjects space to candidly evaluate their reception in the UK and their relationships with home and other migrant workers. Controversial at the time of its original broadcast the film is an enduring and powerful document of a key moment in post-war British history.
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Made in Birmingham – music documentary

A new one hour film about Birmingham’s music heritage called Made In Birmingham: Reggae, Punk, Bhangra received a private invitation only premiere recently.

Introduction to Jez’s premiere from Andrew Dubber on Vimeo.

In the video above, Jez Collins of interactive cultures explains the purpose and the genesis of the film, and how it connects with the Birmingham Music Archive.

Social media & globalisation (and glocalisation)

Tonight I delivered a brief talk at the Midland’s arts centre. Below is a transcript of my talk (minus my live rambles and tangents and including some typos – sorry). Also speaking were Jon Bounds & Pete Ashton.

Firstly an apology: as an academic I can’t take a title at face value. I find I need to hand wring and worry about the terms of a debate before I can do anything at all. And then once I have problematised the issue, I find that the title is wrong and I start using different words.

As a media and cultural studies academic who has been criticised by the Daily Mail for wasting tax payers money running courses on social media, this condition is particularly acute. I need to be seen to have thought too much about things to justify myself. So that being the case, I struggled to get into this topic and felt I had to change it. I hope you don’t all rush to get your money back, but stay with me for a moment. The new title is:

Social Media & Glocalisation

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